« Ailyn Pérez est une Antonia bouleversante dont le destin se confond, dans la vision de Carsen, avec celui de la Donna Elvira de Don Giovanni. De bout en bout, elle livre un chant délicat et subtil, avec une prononciation impeccable. »
“Ailyn Pérez is a deeply moving Antonia whose fate merges, in Carsen’s vision, with that of Don Giovanni’s Donna Elvira. From start to finish, she delivers a delicate and subtle song, with impeccable pronunciation.”
« La nouvelle rencontre d’Hoffmann apporte la fraîcheur attendue : Antonia, incarnation de l’amour pur, est interprétée d’une manière très touchante par Ailyn Pérez […] on est charmé par cette voix à la fois charnue et fragile, magnifiée par une incarnation intense. De plus, le duo qu’elle forme avec Michael Fabiano est époustouflant, d’une extraordinaire alchimie vocale et scénique. »
“Hoffmann’s new encounter brings the expected freshness: Antonia, the embodiment of pure love, is interpreted in a very touching way by Ailyn Pérez […] one is charmed by this voice, both fleshy and fragile, magnified by an intense incarnation. Moreover, the duet she forms with Michael Fabiano is breathtaking, with an extraordinary vocal and scenic alchemy.”
“Pérez’s voice matched the role perfectly…The soprano’s interpretation of “Elle a fui, la tourterelle!” was very moving, and she delivered an amazing pianissimo A natural on the second verse. Her voice blended perfectly with Fabiano during their duet and sang several high B naturals effortlessly. She also blasted out long powerfully sustained D natural off stage before following it with a marvelous high C sharp at the end of her scene with Doctor Miracle. Overall, she displayed strong control in the high register, as well as a strong center.”
© Guergana Danianova